Hidden Beast Profile: "Thrytec"
THRYTEC
“NECROPOLIS MNEMONITEKTON”
Etymology: “Memory-Builder of the
City of Death”, from the Greek “Necropolis” (City of the Dead, City of Death) “Mnemonic”
(Memory) and “Tekton” (Builder, Artisan, Craftsman).
These ones are no
more dangerous than any other kind of animal – however, their nature is rather
depressing by default.
Thrytec walk on
three-toed feet, something like that of an ostrich or Cassowary in the slender
kinds. They can mangle their hands into strange structures on their four
three-clawed arms, making them blunt, hammering tools or stone-cutting blades
or long, fiddling artisan’s hands. Their eyes are white and luminescent, and
whenever they walk about they speak amongst themselves in a low, hooting and
whistling tongue or a repetitive, rhythmic humming. To me, it seems likely that
this is not a language, but instead some kind of thought-cancelling chaunt to
prevent themselves from realizing that all their work is in vain.
These Ruin-Makers
go about their entire lives, toiling and slaving towards building vast cities
adorned with tiki and Gargoyle-like artifacts, monolithic pillars with but a
single inhabitable room, gargantuan Ziggurats for some insane purpose or other
and numerous other, pre-ordained structures that may resemble monoliths,
obelisks or cavernous dwellings much like the Anasazi Indians built. All of
their structures are pale-colored, marked with intricate petroglyphs that
depict what life must have been like for their dead master. Many creatures
present in this book, as well as what appear to be narratives and primitive
mythologies, appear to be told in the dead language that the Thrytec leave
embedded within their futile Necropolis.
Thrytec, like
ants and bees and mole rats, are organized by ‘tiers’ with specialized body
parts for specific tasks. Some have massive feet for stomping straw into a
substance that can be molded into bricks, tikis and war-spikes. Some have huge
claws for digging moats and waterways. Others, still, fly about, lifting bricks
and other such structures to the tops of others to built adornments. They move
only at night, like ghosts, their Contrathermic metabolisms keeping them
fleet-footed and mobile. Some are bulky, rounded; others are slim and walk on
all six limbs. Some are hairy, shaggy with the same silvery coat of the
Somnivores; others are leathery, hairless, as they work in the higher areas or
go about acquiring bones, blood, and animal hides to adorn their tenantless
temples and shrines. Even more are skinless, slick and sheen like the
Chaurines; it is this lower tier that works with the mud and water and clay.
Some have no eyes, and go about work deep within the tunnels, cabins and
subterranean labyrinths that may have once been sewer systems, or hiding
places. No doubt, they did not protect their masters from whatever cataclysm
annihilated them, all those ages ago. Some eat through rock with grinding jaws
harder than any of the metals, while others still vomit stomach acids that dissolve
caverns and catacombs for any structural or aesthetic purposes. Wickedly stupid
ones lumber about doing whatever they are told by ones with massive brains.
These ones possess similar pores to those of sharks and Gynomorves, likely to
the same purpose. Though intelligent, they are apparently incapable of
self-awareness or creativity. This tier simply orchestrates the construction of
the deathly, gloomy ruins until they die and are replaced by another thinking
individual. Others, with a similar such telepathic ability, detect water
streams underground for well-digging. Other telepaths, still, detect animal
herds for killing and utilizing as food or for aesthetic purposes. They are
able to control the animals directly with their minds, and mobilize them over
cliffs or into rivers to kill them easily. One final tier is capable of
detecting star locations for the building of strange monuments. I can only
assume these constructs are somehow related to the Astrology or Religious
Practices of the pre-human culture. Femurs are tied up together in long ropes,
supports are made from skulls and spines and hollowed tree-trunks are made for
sitting in and observing only the select stars directly above.
Many work
themselves to death, and are commemorated by being buried or built into the
ruins they make. They never sleep, they never stop. Fallen members not
commemorated are cannibalized. They continue until they are dead, like ants
slaving and toiling about endlessly, unaware that the queen of their hive is tens
of millennia vanished, never to return.
I presume, from
their actions, that they must be the builders of the preceding human society’s
architecture. The perfect slaves, their brains must produce whatever it is that
generates love – only their love is directed, tirelessly, towards the
construction of homes for their fallen masters. Upon seeing humans, they simple
stop and stare; their glowing, white eyes seemingly stunned with reverence or
awe. They make a single, vibrating hum that is at once both relaxing and, to
the modern eye, eerie and unnerving. They do not harm humans who come through
their ruins, and indeed many squatters have found homes amongst their
mausoleums. Attempts to communicate, or to keep them from moving on to build
further cities, are always futile.
Maybe both the lives of our races are
better left this way.
Should you pass a
group of Thrytec, simply keep walking. They shouldn’t bother you. Simply hope
that their suffering ends soon, and that they, on some level, remember the
distant cause of their endless construction. Perhaps, after they are done, they
can admire their hard work in some way. Perhaps they feel fulfilled even as
they move onwards; leaving their haunted monuments cold and unknown, the
mourning cries of their fallen masters unheard down the countless centuries
through endless time.
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